前言
PREFACE
汪为新/Wang Weixin
时序迁流，疫情倏忽三年多，封控、黄绿码、全员核酸各种疫情防控策略每天演绎，普罗大众，一时面对疫情，失眠、焦虑、抑郁、行为成瘾.....在这不平凡的三年，魂惊梦怯的心情，竟奈何它不得。
The time has changed, and the epidemic has been in a short period of more than three years. Various epidemic prevention and control strategies such as blockade control, yellow-green code, and nucleic acid for all employees are performed every day. The general public, facing the epidemic at one time, suffers from insomnia, anxiety, depression, behavioral addiction... In these extraordinary three years, the mood of the soul is frightened and timid, but it can't be helped.
而此时的艺术家有的躲懒，抑或以躲懒的名义回避原先多余的应酬，藏身小楼，安心做自己的作品，也未必是坏事。
At this time, some artists are shirking, or in the name of shirking, they avoid unnecessary entertainment in the past, hide in small buildings, and do their own works with peace of mind, which is not necessarily a bad thing.
三年过去，泾渭分明，有的留下一批自己人生中最好的作品，也有的焦虑三年，在疫情来临时叹息，又在持续的疫情中徘徊，终未有所获。
Three years have passed, and the difference is clear. Some have left behind a batch of the best works in their lives, while others have been anxious for three years, sighing when the epidemic comes, and wandering in the ongoing epidemic, but they have not achieved anything in the end.
这次邀请展是在全国范围内选择部分依然活跃的艺术家之部分新作品作为巡回展，其实也是在疫情仍然肆虐的世界展示一个不屈的应对态度。
This invitational exhibition is to select some of the new works of some still active artists across the country as a touring exhibition.
再冷的冬天总有季节轮替，所以春天终究会来的。犹如江南的莺花和北地的风尘终将同邀春风的一笑，再说，我们还万幸__平安且还在创作!
No matter how cold winter is, there are always seasons, so spring will come eventually. Just like the Yinghua in the south of the Yangtze River and the wind and dust in the north will eventually invite the smile of the spring breeze, and besides, we are lucky to be safe and still creating!
我们中国人骨子里都有感物序之无常，怨山河之辽廓的诗性指向，所以，在世界面临大的困惑与无奈时，希望我们的选择是理性且主动的，这次展览也就成了缘起。
We Chinese people all have a sense of the impermanence of the order of things, and the poetic direction of resentment of the mountains and rivers. Therefore, when the world is faced with great confusion and helplessness, we hope that our choices are rational and active, and this exhibition will be a success. Originated.
艺术上的微吟是偶尔的，长叹也是存在的，繁热的路上，也中人情，至于“纵浪大化中，不喜亦不惧，”当知人生斯世，忽喜无惧，所以须重新面对，若不喜惧，复何聊生?
In art, micro-sings are occasional, and long sighs also exist. On the hot road, there is also human affection. As for "in the midst of great waves, neither joy nor fear." To face it again, if you don't like to be afraid, how can you live again?
陶公达人，当无不解，人生之中悲欢陈迹，也须"洞然”释怀，否则，茫茫今世，渺渺他生，豈能遮了万紫千红?
Tao Gongda people, there should be no incomprehension, and the joys and sorrows in life must also be "unrecognized", otherwise, the vastness of this world and the vagueness of other lives, how can it cover up the rich and colorful?
况且我们还有"丈量世界"之想法，在现代文明背景下，当然我们用的是"车轮”而不是脚步，但一样__都必须是坚实不虚的。
Besides, we still have the idea of "measuring the world". In the context of modern civilization, of course, we use "wheels" instead of footsteps, but the same - must be solid.
是为序!
It's in order!
2022.7.31晚/The evening of July 31, 2022
艺术家
范一冰
中国社会主义文艺学会书画专业委员会指导专家、中国美术家协会会员、中国女画家协会常务理事、中国女子书画会研究委员会副主席、中国金融美术家协会副主席、金融女画家艺术研究会主席、国学经典书画院副院长、北京国画艺术家协会副主席。
点 评
范一冰以现代艺术手法对画面空间进行处理，譬如，把时间空间化了，在平面空间中营造一种“白日梦”的氛围，在迷离、模糊、朦胧与恍惚之中洋溢着不确定性和相对性，画面空间得以向未知拓展，在技法与内涵、形式与情绪的浑然一体中，展示了当代女性的“心路历程”，让人在大时代的背景下和“语言嬗变”的进程中，思考自我、思考生活。
就此而言，范一冰以自己的艺术，跻身于“当下”，并为当代女性代言，她的艺术因而获得了升华，也更富有现代性的张力和美感。
徐恩存
媒体报道：
人民网 新华网 新华网客户端 光明日报 光明网客户端 中国美术报 中国文艺网 中国美术家网 中国书画家网 中国画廊网 雅昌网 珀莱雅·青藤艺术 名家翰墨 收藏年鉴 5A画廊 汀兰文化 众山红传媒 艺林藻鉴等几百家网站报道
视频报道：
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国中美术馆简介
国中美术馆位于中国宋庄国防艺术区中心区域，依山而建，环境优美，是国内第一家将红酒文化与书画艺术相结合的民营美术馆。总面积4000余平米，自身空间结构及装饰风格高端舒朗，空间可塑性强，为各种艺术形式的呈现提供了无限可能。美术馆发展方向独辟蹊径，馆中的国中酒窖，主要功能为原装进口葡萄酒的销售与展示，可以举办各种类型的画展，酒会，完美的体现了艺术与红酒的融合。国中美术馆密切关注中国艺术的发展，努力以立足中国，面向世界的开放态度和独到的艺术视野，参与建构中国艺术的发展实践，独创带领艺术家驾房车传播中国文化，行走欧亚大陆，立足国际交流。
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